I hadn't been to mass in a long time.
Back in Vancouver, I had more of a reason to attend
the Critical Mass bike rides -- I was cycling to work
every day, so the monthly demonstrations of pedal power
were a good place to purge backed-up psychic bile. But
as I had been writing a novel this year in Toronto,
I had been living the life of a Parisian flaneur. I
had the time and inclination to walk everywhere, becoming
an amused observer of the speedy dramas that took place
on the streets.
My novel completed, I decided to help spread the English
virus abroad under the guise of teaching. Having to
rush to prepare myself, I started riding my bike again,
and realized that my days of leisure were over -- cycling
marked, for me, life acceleration. In addition to this
feeling was a desire to check out the Critical Mass
in my hometown before I left.
I arrived a little
apprehensively, not knowing what to expect and with a
certain measure of catholic guilt for my lapsed faith.
But I soon found a bunch of people I knew from Who's Emma
and activist circles.
"Follow that guy!" someone yelled, and we were off.
I and rode into the hundreds-strong stream, remembering
what a kick it was to hear the confused honking of the
car-bound, outnumbered for once. Our cheerful bells
seemed to be a pleasantly youthful and smart-ass reply
to their blaring noises.
A few blocks in, a car who had got a little pushy was
surrounded by six calm cyclists, all facing in at him
like the spokes to a hub. He had a sour look on his
face, both hands on the wheel.
I heard two people discussing the merits of running
red lights. "I just think it gives cyclists a bad name,"
a guy with a red helmet was saying. I missed the long-haired
guy's response because Irene started singing.
"You're not punk and I'm telling everyone," she sung.
Eliot replied, "Save your breath I never was one."
(We don't have booming bass stereos, but we don't have
to go without music.)
"You don't know what I'm all about,
Like killing cops and reading Kerouac."
On cue, we passed by a cop who was ticketing someone.
I asked what for, and another cyclist told me that he
was getting it for disobeying the traffic directions
or something. As usual, I had no idea how to protest
or prevent it, and I left hoping the guy has the good
sense to give a nom du pedal.
Any demo has its share of ah fuck...s and all
right!s, and this was no exception. When we stopped
at the University and Dundas intersection, however,
the ride bloomed into beauty.
"Two minutes of silence!" someone yelled, raising his
hand. All four lanes of traffic were totally stopped,
and I waited for the honking avalanche to begin. But
then a banner was raised for all to see:
A CYCLIST WAS KILLED HERE LAST WEEK
There was no honking.
Some people were handing out leaflets to the drivers,
which explained that a man was doored, knocked into
the street, then hit by a bus. The silence continued,
and some people lifted their bikes above their heads
and held them there. I didn't want to do it -- I'm a
little uncomfortable with herd behaviour -- but as more
and more bikes were lifted, I was impressed with this
gesture. It said Bike Power, it said to the motorists
bet you can't do this with your vehicle, and
it was a tribute to a dead cyclist, a person who could
have been any of us.
Because he chose to ride a bike in a society that coddles
cars, his death was more than a random incident -- the
chance of it happening was increased by the lack of
sane traffic alternatives. I felt angry, and sad, and
I was moved by it.
The guy who was keeping time dropped his hand. People
whooped and hollered and rang, and beneath it I heard
the melancholic notes of the bagpipes. It connected
for me, then -- of course, it matters because he
was one of us. One of our tribe has died.
After mass, I partook of the sacred roti and reflected
on the responsibilities of the warrior-bard in the urban
highlands. And wrote this story.
#
This was originally published in TransMission,
Winter 1998.